accelerationist

by Leviathant

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consequently 03:48
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the tongues of mocking wenches are as keen as is the razor's edge invisible, cutting a smaller hair than may be seen, above the sense of sense; so sensible seemeth their conference; their conceits have wings fleeter than arrows, bullets, wind, thought, swifter things.
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the boghouse 01:42
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seats go down like an avalanche all that's left is a river of ash up here the world grows dark up here with the fire and sparks who survives, what will be left of them front row seats to the end of man who survives, what will be left of them dead and gone, I wish you well my friend I'm not righteous, I'm just lucky up here nobody can touch me I'm here so sad and lonely food's run out and I'm getting hungry
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about

Dirty analog performance-oriented electronic music & sound recorded as catharsis for the anxiety and insecurity that comes with feeling like you're on the wrong timeline. Get the lossless version and use your good headphones.

Recorded in fits and snatches between 2014 and 2019 during a series of upheavals. A focus on original sound design using analog synthesizers progressed to practicing live performance using those original sounds, and this is a cap to that exercise.

Songs were largely tracked live through a hot-rodded '78 Sound Workshop recording console and minimally edited in post, with the notable exception of "Stabilize into Equilibria," which was constructed copy-and-paste style in Reaper from elements of outtakes from the rock band I drummed in, Warfilm.

credits

released October 30, 2019

Music by Matt Dunphy, with appearances or contributions by Melissa Dunphy, and Nate Flanigan, Jon Gross, Lance Mascaranas, Jason Yucis, and Jeff Yucis,.

Mastered by Doug Raus at Turtle Studios in Philadelphia, PA.

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Leviathant Philadelphia, Pennsylvania

Releasing textural, rhythmic electronic music out into the internet since 1996

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